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Barbara Erskine

Daughters of Fire

Copyright

Published by HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

This edition 2007

Copyright © Barbara Erskine 2006

Barbara Erskine asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Source ISBN 9780007174270

Ebook edition © SEPTEMBER 2008 ISBN 9780007279449

Version: 2017-09-12

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Dedication

For Diz, who started the hare.

Epigraph

The lamps now glitter down the street;Faintly sound the falling feet;And the blue even slowly fallsAbout the garden trees and walls.Now in the falling of the gloomThe red fire paints the empty room:And warmly on the roof it looks,And flickers on the backs of books.Armies march by tower and spireOf cities blazing, in the fire;Till as I gaze with staring eyes,The armies fade, the lustre dies.Then once again the glow returns;Again the phantom city burns;And down the red-hot valley, lo!The phantom armies marching go!Blinking embers, tell me true,Where are those armies marching to,And what the burning city isThat crumbles in your furnaces!

‘Armies in the Fire’

A Child’s Garden of Verses

Robert Louis Stevenson

‘The evil that men do lives after them,

The good is oft interred with their bones …’

Julius Caesar

William Shakespeare

Map

Prologue

She had demanded initiation. Without it she could not be queen.

And now she was afraid. For the first time in her life she was really afraid.

Not of the ancestors amongst whose bones she sat in the dark, but of the others, the shadows, the voices, the faces from the future. Those, she had not expected.

As the last remnant of light disappeared she had crouched quite still, the only sound in the silence beyond the settling of the stones and earth with which they had blocked the entrance tunnel behind her, the thudding of her heart. She had imagined she would hear the Druid priests’ footsteps as they withdrew, perhaps their whispered voices dying away in the distance, but there was nothing save an awareness of the weight of rocks and soil over her head and of the presence of the bones somewhere near her feet. Cautiously she stretched out her hands, feeling around her in the darkness. As her fingers at last met those of the woman with whom she shared the grave there was no sound but the rattle of dried bones.

Taking a deep breath she sat down, her back against the wall of limestone, and closed her eyes, waiting for something to happen. What. She didn’t know.

Outside, the moors grew dark. There was no guard outside the living grave. There was no need. No one sane would stray there by day or night. It was the place of the ancestors. A place of the gods. When she was released, if she was alive and in her right mind, she would be an initiate. A member of the élite. A woman who could mediate the gods and rule the people. A woman fit to be queen. If she was dead her bones would join those around her and her spirit would roam the fells until it was called to the place of rest beyond the western seas, the land of the ever young, and thence once more to the world of men to live again.

At first the voices were indistinct – a mumbling out of the darkness. She clenched her fists in terror, straining her ears to make out the words. Slowly the meaning came and with the meaning, pictures. She saw men with war chariots forming up on the edge of the hills, their eyes cruel, their hard bodies cased in armour; she saw women weeping. She saw swords and fire and blood. She saw the landscape change – from forest to heather moor and back to forest again. She saw men plough the land, their ploughs pulled and pushed by men, and then pulled by oxen, then horses, and then strange chariots which smoked above their huge wheels. She saw flocks of gulls following the furrows age after age through famine and plenty; through war and peace. She saw her people live. She saw her people die. She saw them laugh and she saw them weep. And one voice above all others came to her clearly out of the shadows. It called her name, Cartimandua, Sleek Pony, with an accent strange to her ears. She shook her head, trying to see more clearly in the swirling mists and a woman’s face swam into focus. A woman who held out her hands. Who stretched out across aeons to touch her mind. Who wanted to know who she was and what she had done. A woman who had chosen her above all others as a lesson and a story.

The tomb was growing colder. Outside, the sun was sinking into a bank of cloud. Soon it would be dark. She shivered suddenly and the mind that had reached out to touch hers drew back.

‘Where are you?’ Carta called out. ‘Wait. Are you one of the gods?’

There was no reply.

Somewhere near her feet she heard something rustle and click amongst the bones and she gritted her teeth against a scream. For the first time she wondered if anyone would come back to release her, or would they leave her here to lie amongst the dead whilst another took up the mantle of leadership?

Another, more fitted for the role because he was a man.

1

I

‘Have you any idea of what you have done to this department?’ Professor Hugh Graham threw the magazine down on the desk in front of him. It was folded open at an article entitled, ‘Cartimandua, the First British Queen?’ ‘You’ve made us a laughing stock! And me! You’ve made me a laughing stock in the academic community.’ He spoke with the soft lilt of the Scottish Borders, usually scarcely noticeable but now emphasised by his anger.

Behind him the sun, shining in through the office window which looked out onto Edinburgh’s George Square, backlit his thick, unruly pepper-and-salt hair and cast the planes of his weather-beaten face into relief. ‘I don’t think you and I can go on working together, Viv. Not when you clearly hold my views in such low esteem.’

‘Rubbish!’ Viv Lloyd Rees was thirty-five years old, five foot four, slightly plump and had short fiery red hair which had been cut to stand out in a hedgehog frame around her face, emphasising her bright green eyes. In spite of the Welsh name her accent was cut-glass English, another fact that irritated intensely the nationalist that resided deep in the professor’s soul.

‘Are you telling me that suddenly no one is allowed to have their own opinions in this place?’ she went on furiously. ‘For goodness’ sake, Hugh! We study Celtic history. We are not a think tank for some politburo!’

‘No.’ He leaned forward, his hands braced on the shambles of papers and open books which lay strewn across the desk behind his computer monitor. Somewhere under there, presumably, lurked a keyboard and mouse. ‘No, you are correct. We study. We examine facts. We spell them out –’

‘That’s all I’ve done, Hugh. I’ve spelled out some facts. Interpreted them …’

‘Your own interpretation, not mine.’

The atmosphere crackled between them.

‘Mine, as you say. It is my article, Hugh. Not yours.’

‘Fictional twaddle!’

‘No, Hugh. Not fictional.’ Her temper was rising to match his. ‘Intuitive interpretation.’

But there was more than that, wasn’t there, if she was honest. He was right.

‘Intuitive!’ He spat out the word with utter disdain. ‘Need I say more! And your book. Your much vaunted – hyped – book. Do I assume it will be along these same lines?’ He gestured at the supplement lying on his desk.

‘Obviously. Haven’t you been sent a copy to review yet?’ She met his eye in a direct challenge.

She had fought it. She had fought it so hard, that strange voice in her head, the voice she had conjured from her research. The voice that had wanted her to write the book, and now wanted her to write a play. The voice she could not tell anyone about. But its promptings had been too subtle, its information too specific to pretend it wasn’t there. She hadn’t managed to catch the information, to keep it out of the book, the book which was going to be published in exactly four weeks’ time on 14th July. She had tried to sieve the facts, separate the known from the unknown. She had failed.

She waited miserably to see what he would say next, as she did so staring fixedly at the small box lying in a ray of sunlight in his in-tray. She did not want to meet his eye.

There was a long silence as Hugh tried, visibly, to calm himself. In his early fifties, of middle height and with deep-set, slightly slanted hazel eyes, he was a strikingly handsome man. Today he was also formidable as he glared at the woman who stood before him on the layered threadbare rugs which carpeted the floor of his small, overcrowded, first-floor study.

‘Your by-line here,’ he went on at last, ignoring her question, ‘ ‘‘Viv Lloyd Rees of the Department of Pan-Celtic History and Culture at the University of Edinburgh’’,’ – the last dozen words, normally abbreviated to DPCHC by its members and students, were heavily emphasised – ‘I trust that will not be appearing on this famous book of yours. I am withdrawing the funding for your research facilities. And your post here will not be renewed at the end of the year.’

Viv stared at him. ‘You can’t do that!’ She was paralysed with shock.

‘I am sure I can find a way.’ He folded his arms. ‘This department prides itself in scholarship, not guesswork. There is no room here for fantasists.’ Leaning forward, he picked up the Sunday Times magazine by one corner and tossed it across the desk towards her. ‘You may as well take this. I shall not be looking at it again.’ He refolded his arms and sat watching her from beneath frowning sandy brows.

The knowledge that he was right in many of his criticisms, and that she was already in an agony of guilt about them, made her angrier than ever.

She had been overjoyed when he had asked her to come back to Edinburgh to work with him and accepted the lectureship and research post with eager optimism. It was a chance to put the past behind her, to start again and forward her career under the guidance of the man she most respected in their field.

The past was in Dublin. His name was Andrew Brennan and for four years she and he had had a passionate affair, an affair which she, in her perhaps deliberate naïveté, had assumed would lead if not to marriage, at least to a live-in relationship once he had obtained the divorce which he promised was only a matter of time. It never happened. Of course it never happened; had never even been on the cards. When she finally brought herself to accept the fact, she had broken it off and written to Hugh in response to a rumour that a lectureship might be coming up in his department. He had invited her to join him and she had bought a tiny flat in the Old Town with a monstrously large mortgage and put Andrew and his protestations behind her with sufficient alacrity for her to wonder just how much she had really loved him. Even so, at the beginning it was hard in many ways. Harder than she expected. She had friends in Edinburgh from her student days but the gap in her life was huge. She missed Andrew’s close companionship, his unquestioned lien on her spare time, and it was this newly raw loneliness which led her to see more of Hugh Graham and his wife than perhaps she should.

Alison Graham became one of her closest friends. They confided in one another; she told Alison about Andrew; she told her about her sadness after her brother David, like their father a respected consultant paediatrician, had emigrated to Australia with his wife and their baby and she told her about her sense of utter bewildered loss after her parents had followed them five years later to Perth. Alison and Hugh had been there for her. They had supported her. They had all seen a great deal of one another and gradually she had begun to suspect that she was falling in love with Hugh. She drew back. Nothing would persuade her to threaten her friends’ marriage. She went to see them less often and avoided Hugh where possible. Puzzled and hurt by her sudden rejection without suspecting its reason, Hugh had become angry. Then unbelievably, heart-breakingly, Alison had died.

His anger had not abated after she had gone, far from it, and his easy friendship with Viv had deteriorated into something like enmity in their professional relationship. She found that he had an unbearable, overweening ego. He refused to acknowledge that the study of history had changed its emphasis; that maybe scholasticism should nowadays allow itself a more popular, approachable face, and above all he refused to admit that anyone else could be good at it! The man who had been the youngest, most ambitious professor ever to head the department appeared to have sunk into staid orthodoxy.

1